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James Bay Explains His Song “Wild Love”

James Bay is hardly recognizable when he arrives for our interview. His hair isn’t shoulder-size anymore, it’s in a free coif. His signature Panama hat is lacking. He’s carrying a single, skinny hoop earring, which is both new or simply noticeable now that his locks are quick. He seems to be edgy, dressed in all black—Burberry shearling jacket, jeans, and boots—as if he’s mourning his previous persona whereas presenting a brand new one at the identical time.

That is a brand new period for the 27-yr-previous Brit, aesthetically and sonically, beginning together with his new single, “Wild Love.” It’s his first original launch since his 2015 debut, Chaos and the Calm, which earned him three Grammy nominations (together with Finest New Artist), a BRIT Award, and an opening slot on Taylor Swift’s 1989 tour.

However not like his tender, people-rock first album (which included the wistful “When We Have been on Fire,” heartbreaking “Let It Go,” and roaring “Hold Back the River”), “Wild Love” boasts an entirely new sound. For starters, it opens with ethereal synths, a stunning departure from Chaos’ guitar-led tracks.

Bay has extra music coming down the pipe, too, and all of it sounds totally different. There’s a Strokes-esque song referred to as “Pink Lemonade.” There’s “In My Head,” a melody he describes as Sesame Street-influenced. There are horns reminiscent of Chance the Rapper and The Social Experiment. And, to the delight of his early fans, there’s a music Bay wrote for Chaos however determined to avoid wasting for later.

The brand new work is “diverse and eclectic,” Bay describes, talking together with his hands and propping his feet on a nearby ledge. “My lane needs to be widened. I don’t wanna confine myself to a slender lane.” But as much as he claims to have advanced, the outdated James Bay lives on in his heartfelt lyricism and rocker vocals. He also promises to continue performing with a guitar in hand. (He starts another American tour on March 25.)

So does this really mean James Bay’s iconic hat is gone eternally “Yeah,” he solutions without hesitation. However then he rapidly reconsiders. “I imply, who’s to say something’s gone or not for good ”

Below, Bay talks to BAZAAR.com about his new single, new sound, and new look.
After touring his first album for nearly five years, Bay was ready for a change.

“By the tip of 2016, I finished—and every time I say this subsequent bit, I’m considering of my fans, and how necessary they’re to me—but I used to be truly ready to do all the pieces but something that sounded like Chaos and the Calm.”

He knew his old model wasn’t going to last endlessly.
“You know, ‘guy with a guitar, hat and lengthy hair’ as a visible and a trademark, it was completely intentional. I did set out to achieve what I achieved with it. There was just no guaranteeing that I would, so it’s cool that I did, but it surely was all the time gonna have a sell-by date, you realize ”

“The entire ethos, for me, making this new music, was that if I’m not moving forward, I’m standing still. [He pauses.] I’ll move forward. All my fans have been on a journey with me over time, as effectively. I don’t anticipate any of them to be the same individual they had been after they first found my music.”

“If I’m not moving forward, I’m standing still.”
But ditching his recognizable image was still a risk.

“I started growing my hair at eleven or 12, so once I was 14 or 15, it was the way it regarded final yr. So, I was all about getting my hair minimize. Now I can walk the streets and people aren’t jumping on me, especially when I’m not touring the music, so it is not a huge problem. But when your id becomes so public, you need to alter. You want to alter when it is the fitting time. Because it’d become something of a trademark for me, there’s always something scary about taking the leap, and going, ‘Okay, you had a thing that you just had been identified for, together with the music. Now, you are gonna throw that away.’ I might always have chosen to do this.”

He hasn’t worn a hat since the large chop a couple of months ago.
“Since I acquired a haircut, I’ve not really put a hat on my head. I have never coated this hair. Unusual, however no want. I wore it for lengthy enough. I don’t really know whether it’ll come back, or something. I just haven’t bought any curiosity in it proper now.”

His new music has influences from Frank Ocean to Blondie.
“My first file was very easy. It was in regards to the songs. There’d be a guitar—or an acoustic guitar and electric guitar—a drum kit, a bass, and some keys. This time, there’s all kinds of layers.

“On one monitor there’s even a little bit of affect from Sesame Avenue. There is a load of children. I obtained this group of little youngsters, they usually’re singing, however at one point, I mentioned, ‘Don’t worry concerning the melody. Just shout the lyrics.’ That’s one of the best ways I can describe it.

“There’s Frank Ocean stuff. There’s LCD Soundsystem stuff. There’s Strokes stuff. There’s Blondie stuff, David Bowie, Prince, Michael Jackson. I like all of that music. Quite a lot of it I’ve liked for a few years, but it didn’t necessarily apply to what I used to be doing on Chaos and the Calm.

“On Chaos and the Calm, my Springsteen, Kings of Leon, Ryan Adams, Ray LaMontagne influences applied more to that music. But now, I’m evolving.”

He collaborated with Jon Inexperienced, a songwriter, producer, and shut good friend. However Bay primarily wrote the songs on a guitar, like he often does.

“Because I was making such a change and taking such a different turn from where I’ve been sonically, if I’m gonna do that, I can only really feel like I am going to get away with it if the songs are nice. If the songs aren’t great It is identical to new noise, and that is high-quality, but I don’t know if that can last as long as an amazing song would last.

“So, the objective is to put in writing great songs, after which colour them in nonetheless I wished to, and it was all those influences that I named—and just basic, unique, new tastes of mine, instrumentally—that are why ‘Wild Love’ sounds the way it does, and lots of the other tracks will sound the way in which they do. And so they don’t all sound like ‘Wild Love.’”

A post shared by James Bay (@jamesbaymusic) on Jan 11, 2018 at 6:11am PST
Bay doesn’t want to be put in a box.

“Look: all people gets pigeonholed, and I might moderately be pigeonholed and identified for one thing versus nothing. But when persons are saying, ‘James, you know, intimate sort of troubadour songwriter guy,’ that exists in here [he kinds a circle with his arms in entrance of his face]. That is okay, and i’ve at all times performed to that, because I do know it is certainly one of my african american human hair afro wigs strengths, but I’ve got strengths up here [he reaches his proper arm up], I acquired strengths down right here [he reaches his different arm down], and I am gonna play to them as nicely, as a result of I discover that extra thrilling and more interesting.”

Fans of his comfortable rock won’t be disillusioned with his new music.
“There are a few moments—and that is necessary, again, going again to the fans—that bridge the hole between the primary file and the new stuff. I confess, it was more in hindsight that I recognized that I had completed it. And if people don’t assume that even these moments bridge the hole I do not actually thoughts. I simply hope they just like the songs. Numerous it is about being exciting, and new, and different for myself and the fans, however it’s a balance of the 2.”

Bay did not compose whereas touring, but when he was lastly house, he solely rested for “10 days” earlier than creating new music once more.

“By the tip of December 2016, when i stopped touring, I acquired house and took a couple of days. These few days, in a whole lot of different individuals’s realities, may final a 12 months, simply. And that i perceive that. Folks on my group had been saying, ‘Take a minute. Take six months. Take a 12 months. Chill. Be at house. Reside.’ All necessary issues for the soul and for creativity. However I did not have any curiosity in it. I obtained about 10 days out of that.”

He recorded the brand new work in his native U.K. as a substitute of the U.S.
“At the top of January 2017, I bought back together with Jon and we carried on writing, and that i made this document in London. So I used to be capable of focus and throw myself into it and work by way of the night time if I wanted to, because I was form of at home. The primary document was this massive endeavor, getting all the way in which out to Nashville, doing all that. There was lots of power that went into it, and it was removed from dwelling. It was a complete completely different beast this time, so I didn’t feel overworked.”

A put up shared by James Bay (@jamesbaymusic) on Dec 1, 2017 at 3:52am PST
Bay had the file executed by the top of April 2017, however didn’t launch anything immediately. Certainly one of his A&R reps secretly despatched his music to producer and songwriter Paul Epworth (Adele, Florence + the Machine, Bloc Get together) who immediately turned a fan. He gave James a shock name and supplied to assist finalize the music in his London studio. Bay was shocked.

“He mentioned, ‘I assume this music is likely to be prepared. If you place it out tomorrow, I’d back it. I’d assist that. Like I said, I thought it was good.’ He mentioned, ‘But it’s May 2017. I know that you’re not racing to put it out tomorrow.’ So, he mentioned, ‘I’ve bought a studio. Hear me out. In the event you and Jon are cool, and wanna come by for a couple weeks, there’s just some stuff that I’d love to attempt. I know I’m being a bit bold, right here, however I am a fan of these items, and if you’re up for it, I might love to attempt some additional sounds on it.’ And he mentioned, ‘If you don’t like it, throw it away. Put it in the trash. I’d still support the music.’

“I’m never gonna turn that opportunity down. We took the music to Paul, and for a number of weeks, it was magic. He is clearly tremendous gifted. He actually introduced the music over the finish line.”

A publish shared by James Bay (@jamesbaymusic) on Jan 8, 2018 at 6:37am PST
The synths on “Wild Love” had been Bay and Green’s work, however Epworth introduced them to much more sounds.

“Me and Jon dug into that world, ’cause Jon’s good on that form of stuff anyway, so initially these sounds had been simply me and Jon. Most of what you hear on ‘Wild Love’ is from what we wrote it. It is sort of from the demo.

“Paul’s bought this huge studio with hundreds of various synths, so we had been in a position to pepper it with these different nuances and sounds that we did not have entry to. And he is obtained some producer methods and moves on the mixing desk that we didn’t really know about, that actually brought it to that finished place.”

It could also be shocking to listen to Bay listing hip-hop and rap artists his inspirations, however he’s drawn in by their “lyrical directness and honesty,” simply as he is with acts from completely different genres. He hopes to do the same along with his songs.

“You can hear actual honesty when it is real honesty, in any style. So, I’ve favorites in rock, and I’ve favorites in rap and hip-hop for actually distinctive causes.

“I take heed to Adele’s ‘Somebody Such as you,’ and Likelihood the Rapper’s ‘Same Medication,’ because I get the identical dose of honesty from each those, and I am just as completely happy every time. I am simply as nourished.

“If it makes me really feel one thing, I’ll completely be impressed by it.”
“The factor about Likelihood and Frank Ocean, Kanye, and Noname that I love is when they throw a little bit bit of melody to [the rap] and so they’re form of singing as nicely. It’s on no account technically excellent, and that is the greatest factor about it. I’m not african american human hair afro wigs excited about technically good something, simply real emotion, and feeling, and soul. There’s soul all over the artists we have simply talked about, and that’s one among my favourite issues. I hear it in Drake’s music, too.”

He is a fan of their crossover music, too.

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“I love an amazing pop track. ‘All Evening’ by Likelihood the Rapper. It is such an unimaginable track. ‘Similar Medication,’ in a slightly completely different approach. ‘Smoke Break.’ And all of the Drake hits. The listing is kind of infinite. ‘Ultralight Beam’ on the current Kanye file. Ugh. It is phenomenal.

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